Tag Archives: STEWY

BLUE CIRCLE OF DISSENT – Update

We are continuing to implement the online research, activities and events measure until September.

We have been busy however.

There have been submissions of responses to the An Essay on The Writings and Genius of Shakespear by Elizabeth Montagu

Here is an example from Priscilla Olympio

Phoebe Monologue – AS YOU LIKE IT

For more info in how to submit these outputs follow this link

Show Us The Genius Of Shakespeare – Elizabeth Montagu Study

We are continuing work on the preparation of STEWY installation at home and delivered paints, felt-tips, and hard copies.

You can download the PDF and we will collect the coloured in sheets after lockdown has been lifted and deliver workshops to complete the piece for exhibition.

Some of our participants made personal solo visits to Wollstonecraft sites on her birthday including laying flowers at her monument at St Pancras Old Church

We partnered with Newington Green Meeting House in their online Wollstonecraft birthday events and supported the launch of the new WOLLSTONECRAFT WALKS APP  by one of our heritage partners,  Fragments & Monuments, in collaboration with Scary Little Girls

We are continuing work on our digital outputs including the edit of the interview with Professor Anna Birch – supported by Neil Webster from Edwin Louis Fear Films. We have started the edit of the book of community produced poetry Hackney Dissent and the heritage booklet Blue Circle Of Dissent.

In addition we are building a YouTube channel containing ALL our filmed outputs over the last 10 years.

Unity Arts YouTube channel

If you need materials or support with your at home research or are new and would like to know more about this project, please contact us via the form below.

STEWY Installation At Home Activity

Unity Arts have been invited to contribute their installation piece based on the STEWY graffiti art portrait of Mary Wollstonecraft as part of the re-opening of New Unity at Newington Green (where she ran a school for girls).

Originally the artwork was to be installed in New Unity for April and also form part of our event this April 27 on Wollstonecraft’s birthday.

We have had to cancel our Easter workshops when we were to finish the work on the installation but everyone who enjoys colouring in can still do some of the work at home. Especially children. (Colouring in will also lower your blood pressure).

Our work on this piece started on Wollstonecraft’s birthday last year and has since seen contributions from the Dissenter’s Choir,  Hoxton Hall Youth Group, during the Summer Workshops at the Diorama Arts studio and by pupils from William Patten school.

All levels welcome.

                      Newington Green Autumn 2019

Download the Wollstonecraft Timeline with illustrations to learn about why Wollstonecraft is a subject for this project

And the STEWY A4 Colouring in Sheet

Please contact us via the form below and we can keep you posted about the progress of the piece, organise the collection of artwork and of course invite all artists to the opening in September!

 

OUTSIDE PROJECT ACTIVITIES ON PAUSE

In response to the situation we all find ourselves in we are pausing all outside and group activities during April, May and June.

This will of course mean postponement of the Easter Workshops, our event at New Unity on 27 April and the research trips to Bath and in London will have to take place later in the year.

Nevertheless, we are taking this time to do heritage research and activities for BLUE CIRCLE OF DISSENT at home.

All team members, volunteers and participants can be sent materials and packs and we can use this time for painting, essays, installation creation, editing and online research. Here are some prompts we are using at the moment.

Hackney Dissent Research Materials

We can go to not only The Vindication of The Rights of Woman by Wollstonecraft but also her travel writing and stories for children.

We can take the time to return to Shakespeare as Elizabeth Montagu advises in 1769 in An Essay on the Writings and Genius of Shakespear.

You can also follow in Mary Wollstonecraft’s footsteps! Fragments & Monuments and Scary Little Girls Feminist Performance Hub have a new new app Wollstonecraft Walk App

Our next planned event will be 18 July at Dr Johnson’s House and our Wollstonecraft event at New Unity re-scheduled for 10 September. This may of course change.

We will keep in touch via email throughout this time and ANYTHING we can do to help please contact us!!!

 

STEWY Installation Workshops – Easter

New Unity at Newington Green is re-opening later this month.

On April 24 and 25 they will be holding various events called

Mary Wollstonecraft and Dissent: A Celebration

and Unity Arts have been invited to contribute their installation piece based on the STEWY graffiti art portrait of Mary Wollstonecraft.

Our work on this piece started on Wollstonecraft’s birthday last year and has since also been worked on by the Dissenter’s Choir,  Hoxton Hall Youth Group, during the Summer Workshops at the Diorama Arts studio and by pupils from William Patten school.

In order to complete the work earlier than initially planned (October) we will be holding some Open House art workshops over the Easter break in St Mary’s Community Centre in Hackney. 

All levels welcome.

Please register interest in the form below

 

Behind the Scenes: Filming an Interview with Professor Anna Birch

Having graduated from university in 2018, I thought my research days were behind me. However, an exciting opportunity to dust off my research skills arose when Lil Warren, Heritage Outcomes Manager at Unity Arts, told me of their latest project Blue Circle of Dissent. This National Lottery Funded project focusses on the lives, work, and circles around Mary Wollstonecraft and Blue Stockings Society leader Elizabeth Montagu.

My first independent assignment was to interview Wollstonecraft expert Professor Anna Birch for a short documentary film. Anna is the director of Fragments & Monuments, a company which creates performance and film work about the life and legacy of Wollstonecraft.

As I discovered, most of the work for producing a filmed interview takes place off-camera; this blog is to give you a behind-the-scenes insight into the process.

Preparation, Preparation, Preparation
I began by asking myself a question: what did I already know about Mary Wollstonecraft? Answer: that she was Mary Shelley’s mother, and that she wrote A Vindication of the Rights of Woman (1792), marking her as the first British feminist. There was a lot more to discover…
I read about Wollstonecraft and made notes on what I wanted to know more about. I became particularly intrigued by her travels: she went to live in France in 1792 – when the turbulent revolution was well underway – and travelled to Scandinavia in 1795 to recover a stolen ship in an attempt to win back her former lover.

In a series of meetings with Lil and the Digital Outputs Team, we decided that the interview with Anna would focus on Wollstonecraft as the pioneering female travel writer. I had also learnt three tips for filming day: don’t wear stripes, wear make-up, and wear bright colours. My monochromatic wardrobe struggled with this third tip, but as a wise man once said: two out of three ain’t bad.

When turning my research into questions, I wanted to create a narrative structure to help the interview flow. The questions would begin by setting the scene, asking Anna about her work and involvement with Wollstonecraft. Then we would turn to Wollstonecraft’s travels to France and Scandinavia, and finally her personal life and legacy, concluding with my favourite question: ‘what do you think Wollstonecraft would make of society today?’. With the questions finalised on paper, it was now time to bring them to life.

Lights, Camera…
Of course, I wasn’t working on this interview day alone. Lil was directing, Neil Webster from Edwin Louis Fear Films and Christian Smith were filming, and Sarah Warren was Production Assistant. On filming day, we met for a briefing before walking to Anna’s house (where we would have arrived earlier if my walking pace could match a Londoner’s!).

While Neil and Christian set up the filming equipment, Anna took Lil, Sarah and me up to her library for coffee. Although set-up took longer than anticipated (about an hour), it gave Anna and I valuable time to get to know each other off-screen. We had been to the same university, so we talked about its theatre scene and the lack of female writers on the reading lists, before moving on to Anna’s work with Fragments and Monuments. Anna and the company challenge the traditionally held definition of a monument as something static: they create living, dynamic ‘monuments’ to Wollstonecraft, such as walks that enable participants to trace Wollstonecraft’s footsteps in Stoke Newington. It struck me that our short film would also be a moving monument to the writer.

…Action!
With the all-clear from the crew, Anna and I took our seats at her kitchen table, under two fabulous STEWY prints of Wollstonecraft. Neil and Christian had set up two cameras ‘Parky style’: one at the front of the table with both of us in shot, and one behind my left shoulder for close-up shots of Anna – shots that I kept ‘dirtying’ by inadvertently moving into view!
We wanted the conversation to feel natural, so I listened carefully to Anna’s answers and would pick up on something she had said to link to the following question. Our time spent chatting beforehand really helped during the interview as it felt like a continuation of our conversation upstairs. This rapport translated onto the screen: Sarah said that we looked like we had known each other for years!

We filmed the interview in one take, pausing only once for Neil to reset his camera.  After wrapping, we had a post-interview debrief at the Luminary Bakery, and I then walked with Sarah to Newington Green to visit Wollstonecraft’s former stomping ground (and future site of her memorial sculpture).

“That’s a wrap” doesn’t signal the end of working on the film, as the editing process is just beginning.

Taking part in the interview was a wonderful experience that combined independent research with working as part of a team, all to create a work that will be shared with a wider audience. It was inspiring to meet passionate and knowledgeable creatives, and intellectually stimulating to research and discuss such a fascinating female figure.

I’m greatly looking forward to seeing the finished film, and to working with Unity Arts further on Blue Circle Of Dissent.

Ellen Gage

Location Photos by Christian Maier Smith

WE CELEBRATE WOLLSTONECRAFT’S 260TH BIRTHDAY!

This weekend marks the 260th Birthday of Mary Wollstonecraft!

Unity Arts, supported by the National Lottery Heritage Fund, are hosting two events to mark this important date.

On 27th April we will meet at 1230, each light a candle. At 1pm we will, sing and eat cake and live stream our presence at the proposed site of the Wollstonecraft statue on Newington Green.
At the same moment Professor Anna Birch will be presenting her Wollstonecraft film at Old St Pancras Church – the final resting place of the author of A Vindication Of The Rights Of Woman. Please wear white or pale blue.

FREE tickets here 27 April Birthday

On 28th April our FREE family event on Newington Green will include a small installation, some Live Performances and CAKE!

FREE tickets here 28 April Birthday

See you there!

MAIN IMAGE USED BY KIND PERMISSION OF STEWY

 

STEWY – Mary Wollstonecraft’s Birthday

Keep your eyes peeled! The Blue Circle Of Dissent Events are happening!

The National Heritage Lottery Fund is supporting us as we host a series of events to celebrate the

260th birthday of Mary Wollstonecraft on 27 & 28 April 2019!

Author of A Vindication Of The Rights Of Woman and member of the congregation at Newington Green Unitarian Church (now New Unity) Wollstonecraft is also to be recognised in Newington Green with a statue.

Mary On The Green are working to make this happen!

The street artist STEWY is allowing us use of his iconic stencil of Hackney Heroine Mary Wollstonecraft.

And here is a short documentary about STEWY’S work and the Newington Green stencil.

STEWY & WOLLSTONECRAFT